50 Cent: "Get rich or die a homo"
"Get rich or die tryin'" is the adage to live by, according to Curtis "50 Cent" Jackson, the unofficial king of bullets, bitches and bling bling. And the riches don’t seem to be dwindling for the rap star, who just starred in his debut film, Get Rich or Die Tryin’.
Money is so crucial to Fiddy that he’s been expanding his G-Unit empire on a daily basis. To bank off his own musical success and follow in his mentor Eminem’s footsteps, he’s created G-Unit Records, a branch of Interscope. In addition to producing multi-platinum albums for his G-Unit soldiers Lloyd Banks, Young Buc, Tony Yayo and the recently ousted Game, he has just signed rap duo Mobb Deep and rapper-turned-minister-turned rapper again Ma$e. 50 is also set to launch Olivia, G-Unit’s First Lady, with her new R&B album dropping in early 2006.
And like many musicians these days, he owns an urban clothing line (guess the name) and a small corner of Reebok with a sneaker line, G-Unit Footwear.
World conquest doesn’t end there, however.
50 has gone digital with his own video game, "Bulletproof," which features the rapper in his natural ambience, shooting up thugs and hustling on the streets of New York. The Playstation 2 game features new music and freestyle rhymes from the rapper.
50 recently delved into the world of publishing with his autobiography, From Pieces to Weight, which again reminds fans that he was shot nine times during his street hustling days. He’ll continue to endorse literacy with his new venture, G-Unit Books—“a new line of hip-hop novellas and graphic novels” of the “street” variety ("50 Cent to launch ‘street fiction’ book line”).
And to reward 50 for all his public endeavors, GQ Magazine has just named him one of its “Men of the Year” along with "wedding crasher" Vince Vaughn and, um, Jennifer Aniston.
There’s no question that Mr. Jackson is gettin’ rich. But at what price?
Back in 2002 50 Cent made it clear with his first commercial single “Wanksta” that he wasn’t making music to make friends. In fact, his famous feud with rapper Ja Rule has spawned more headlines than his so-called musical proficiency. 50, along with Eminem and the rest of his G-Unit crew, has exchanged many a word with Ja and his Murda Inc. posse.
50 has even taken (verbal) shots at anyone associated with Ja Rule, including Jadakiss and Fat Joe, who collaborated with Ja on the track “New York, New York.” 50 disses them and rapper Nas on “Piggy Bank,” in which he raps, “That fat nigga [Fat Joe] thought ‘Lean Back’ was ‘In Da Club/My shit sold 11 mil, his shit was a dud/Jada, don’t fuck wit me if you wanna eat/Cause I’ll do your lil’ ass like Jay did Mobb Deep/Yeah homie, in new York, niggas like your vocals/But that song in New York, dawg, your ass is local.”
50’s barbs don’t end there. He immediately ousted the Game from G-Unit back in February when the West Coast rapper refused to participate in 50's beefs with other rappers ("50 Drops Game from G-Unit; Shots Fired at Radio Station"). Despite a truce, the two have been exchanging verbal lashings ever since.
50 has also taken some public jabs at rapper/producer Kanye West, claiming “[he] is successful because of me” ("50 Cent: 'I Feel Like Kanye West Is Successful Because Of Me'"). “After 50 Cent, [hip-hop fans] was looking for something non-confrontational, and they went after the first thing that came along. That was Kanye West, and his record took off.”
It seems as though 50’s bottomless bank account has made him a social critic and political pundit. When he’s not raking in the cash for his music, books, and soon, sex toys ("50 Cent Plans Sex Toy Line"), he’s berating his more talented peers and explaining why queers are too gay for hip-hop.
50 slammed actor Samuel L. Jackson for turning down a role in his biopic when he told The New York Daily News, “ I don't even see where Samuel fits into my life story anyway, unless he plays one of the crackheads. He was a crackhead originally, right? So I come from being a rapper, and he comes from being a crackhead” (“50 Cent Gets at Sam Jackson and the Billboard Critics: Rapper says he’s held to a double standard based on his rap roots”).
Correction, 50--you come from being a crack dealer. Not exactly a step above the crackheads, were you?
And when he’s not hating on other rappers and successful actors, he’s crediting himself with the success of others (e.g., Kanye West). Does Curtis Jackson really believe that I and millions of other people purchased “College Dropout” and “Late Registration” because Kanye is “less confrontational” or maybe his muscles aren’t quite so big? You’re right, 50. Why would superior musical aptitude have anything to do with it?
And who made 50 the new spokesperson for Christian evangelicalism?
“Being gay isn’t cool—it’s not what [rap] music is based on. There’s always been conflict at the center of hip-hop because it’s all about which guy has the competitive edge, and you can’t be that aggressive if you’re gay” (“50 Cent: ‘Rap Isn’t for Gays’”).
Translation: if you’re a fag, you can’t fire a gatt.
It would be too easy to typecast 50 Cent has another oversexed, egotistical, homophobic meathead who thinks with his gun and talks with his dick. But his ignorance and uneducated-ness is astounding.
Since when are boys who like boys not aggressive? What does one’s sexual preference have to do with the size of his muscles?
And how do we know 50 Cent isn’t overcompensating for his possible gayness?
“I mean, some rappers are fruity, but they don’t say they’re gay out in the open.”
Was that a confession?
"Get rich or die tryin'" is the adage to live by, according to Curtis "50 Cent" Jackson, the unofficial king of bullets, bitches and bling bling. And the riches don’t seem to be dwindling for the rap star, who just starred in his debut film, Get Rich or Die Tryin’.
Money is so crucial to Fiddy that he’s been expanding his G-Unit empire on a daily basis. To bank off his own musical success and follow in his mentor Eminem’s footsteps, he’s created G-Unit Records, a branch of Interscope. In addition to producing multi-platinum albums for his G-Unit soldiers Lloyd Banks, Young Buc, Tony Yayo and the recently ousted Game, he has just signed rap duo Mobb Deep and rapper-turned-minister-turned rapper again Ma$e. 50 is also set to launch Olivia, G-Unit’s First Lady, with her new R&B album dropping in early 2006.
And like many musicians these days, he owns an urban clothing line (guess the name) and a small corner of Reebok with a sneaker line, G-Unit Footwear.
World conquest doesn’t end there, however.
50 has gone digital with his own video game, "Bulletproof," which features the rapper in his natural ambience, shooting up thugs and hustling on the streets of New York. The Playstation 2 game features new music and freestyle rhymes from the rapper.
50 recently delved into the world of publishing with his autobiography, From Pieces to Weight, which again reminds fans that he was shot nine times during his street hustling days. He’ll continue to endorse literacy with his new venture, G-Unit Books—“a new line of hip-hop novellas and graphic novels” of the “street” variety ("50 Cent to launch ‘street fiction’ book line”).
And to reward 50 for all his public endeavors, GQ Magazine has just named him one of its “Men of the Year” along with "wedding crasher" Vince Vaughn and, um, Jennifer Aniston.
There’s no question that Mr. Jackson is gettin’ rich. But at what price?
Back in 2002 50 Cent made it clear with his first commercial single “Wanksta” that he wasn’t making music to make friends. In fact, his famous feud with rapper Ja Rule has spawned more headlines than his so-called musical proficiency. 50, along with Eminem and the rest of his G-Unit crew, has exchanged many a word with Ja and his Murda Inc. posse.
50 has even taken (verbal) shots at anyone associated with Ja Rule, including Jadakiss and Fat Joe, who collaborated with Ja on the track “New York, New York.” 50 disses them and rapper Nas on “Piggy Bank,” in which he raps, “That fat nigga [Fat Joe] thought ‘Lean Back’ was ‘In Da Club/My shit sold 11 mil, his shit was a dud/Jada, don’t fuck wit me if you wanna eat/Cause I’ll do your lil’ ass like Jay did Mobb Deep/Yeah homie, in new York, niggas like your vocals/But that song in New York, dawg, your ass is local.”
50’s barbs don’t end there. He immediately ousted the Game from G-Unit back in February when the West Coast rapper refused to participate in 50's beefs with other rappers ("50 Drops Game from G-Unit; Shots Fired at Radio Station"). Despite a truce, the two have been exchanging verbal lashings ever since.
50 has also taken some public jabs at rapper/producer Kanye West, claiming “[he] is successful because of me” ("50 Cent: 'I Feel Like Kanye West Is Successful Because Of Me'"). “After 50 Cent, [hip-hop fans] was looking for something non-confrontational, and they went after the first thing that came along. That was Kanye West, and his record took off.”
It seems as though 50’s bottomless bank account has made him a social critic and political pundit. When he’s not raking in the cash for his music, books, and soon, sex toys ("50 Cent Plans Sex Toy Line"), he’s berating his more talented peers and explaining why queers are too gay for hip-hop.
50 slammed actor Samuel L. Jackson for turning down a role in his biopic when he told The New York Daily News, “ I don't even see where Samuel fits into my life story anyway, unless he plays one of the crackheads. He was a crackhead originally, right? So I come from being a rapper, and he comes from being a crackhead” (“50 Cent Gets at Sam Jackson and the Billboard Critics: Rapper says he’s held to a double standard based on his rap roots”).
Correction, 50--you come from being a crack dealer. Not exactly a step above the crackheads, were you?
And when he’s not hating on other rappers and successful actors, he’s crediting himself with the success of others (e.g., Kanye West). Does Curtis Jackson really believe that I and millions of other people purchased “College Dropout” and “Late Registration” because Kanye is “less confrontational” or maybe his muscles aren’t quite so big? You’re right, 50. Why would superior musical aptitude have anything to do with it?
And who made 50 the new spokesperson for Christian evangelicalism?
“Being gay isn’t cool—it’s not what [rap] music is based on. There’s always been conflict at the center of hip-hop because it’s all about which guy has the competitive edge, and you can’t be that aggressive if you’re gay” (“50 Cent: ‘Rap Isn’t for Gays’”).
Translation: if you’re a fag, you can’t fire a gatt.
It would be too easy to typecast 50 Cent has another oversexed, egotistical, homophobic meathead who thinks with his gun and talks with his dick. But his ignorance and uneducated-ness is astounding.
Since when are boys who like boys not aggressive? What does one’s sexual preference have to do with the size of his muscles?
And how do we know 50 Cent isn’t overcompensating for his possible gayness?
“I mean, some rappers are fruity, but they don’t say they’re gay out in the open.”
Was that a confession?

